• BLANK SPACE SHOW 2024

    12.03 - 12.30
  • We are excited to announce BLANK SPACE SHOW 2024! After 13 wonderful years of exhibiting in Miami, we’re taking a brief one-year break. This year, we’ve curated a special online exhibition for you to enjoy, featuring the works of artists that have been with us since BLANK SPACE's beginning, and newer artists we are excited to introduce to you.  We can’t wait to return next year to share more incredible works with you in person. Till then, enjoy our latest exhibition. 

     

     

  • Jose Margulis, I am so happy we met (gold), 2024
  • Jose Margulis, Untitled

    Jose Margulis

    Untitled
    Jose Margulis creates 3-D compositions and objects digitally, then slices them out of various plastic sheet materials. After that, these slices are either held together in space or affixed to a hard canvas or pedestal.

    In the majority of his pieces, a variety of colors, graphic patterns, textures, and photographic images are directly printed on acrylic sheets with varying degrees of translucency. His natural preference for vivid, highly saturated color schemes is greatly influenced by traditional Mexican art. By applying or "pouring" light into his three-dimensional objects, Jose reveals their designs completely, treating them as light traps or secret blueprints. By following a 3-D pattern, light functions as the ink that displays the design.
    • Jose Margulis Porthole 4, 2024 Acrylic and Plexiglass 16 x 16 x 3 in 40 x 40 x 8 cm
      Jose Margulis
      Porthole 4, 2024
      Acrylic and Plexiglass
      16 x 16 x 3 in
      40 x 40 x 8 cm
    • Jose Margulis Porthole 6, 2024 Acrylic and Plexiglass 16 x 16 x 3 in 40 x 40 x 8 cm
      Jose Margulis
      Porthole 6, 2024
      Acrylic and Plexiglass
      16 x 16 x 3 in
      40 x 40 x 8 cm
  • Miguel Vallinas, Cuatro huevos blancos en equilibrios, 2023

    Miguel Vallinas

    Cuatro huevos blancos en equilibrios, 2023

    Miguel Vallinas is a contemporary digital photographer who explores surrealism and historical references in his work. Working in digital photography, Vallinas’ work explores surrealist impulses and historical references through a very contemporary lens. Key to his work is his incredibly recognizable visual style which isolates the subject in a black void, further isolating them and creating a contrast between the bold color palettes of his subject and the depth of the background. 

     

    Printed using Lambda digital-c printing, bonded to archival board and sealed with a protective layer of high quality matte resin, the richness of these works comes through beautifully and compliments the incredible detail and intricacy of Vallinas' creativity.

  • Miguel Vallinas, Otoño en blanco, 2024
  • Euijin Kim, Flow-Cycle IX-18-24 #15, 2024

    Euijin Kim

    Flow-Cycle IX-18-24 #15, 2024

    Seoul-based Korean artist Euijin Kim's work examines the emotional effects of light and how it interacts with a private, intimate creative process. His art explores the ways in which visual crystallizations created in this way interact with viewers and with himself to communicate and build relationships. Themes of empathy, healing, and recovery are at the heart of his investigation.


    Kim uses Eastern materials like hanji (traditional Korean paper) and relief collage techniques to convey these ideas. His path started with the creation of simple structures, emphasizing change and harmony via the tasteful interaction of horizontal and vertical components.

  • Euijin Kim, Flow VIII-6-24, 2024

    Euijin Kim

    Flow VIII-6-24, 2024
    Mixed Media with Korean Paper on Canvas Mounted on Aluminum Frame
    28 5/8 x 72 7/8 in
    72.7 x 185 cm
  • Euijin Kim, Flow, 2023

    Euijin Kim

    Flow, 2023
    Mixed Media with Korean Paper on Canvas
    17 7/8 x 17 7/8 in
    45.5 x 45.5 cm
  • Matthew Langley, Softly

    Matthew Langley

    Softly

    Matthew Langley is a minimalist abstract painter who uses expressive brushstrokes and a keen sense of color to create compositions that are powerful. His earliest pieces are composed of discrete abstractions that combine to create a bigger grid, with color and brushstroke nuances mixing to produce a unique interplay between each smaller picture and a cohesive whole.

     

    In his most recent series, Langley moves into expansive, flowing color fields, punctuating them with slender vertical lines and hue and saturation shifts. Rough edges and obvious brushstrokes provide a subtle, human touch.

  • Matthew Langley, The Thing We Lost, 2018

    Matthew Langley

    The Thing We Lost, 2018
    Acrylic on museum board
    32 x 35 in
    81.3 x 88.9 cm
  • Seunghwui Koo, Piggies #72, 2023

    Seunghwui Koo

    Piggies #72, 2023

    Seunghwui Koo is an artist known for her intricate, colorful sculptures that blend playful whimsy with insightful social commentary. She creates tiny figurines of pigs, or “piggies,” using materials such as resin, plaster, and clay. These figurines are carefully painted with satirical imagery, creating a visually striking effect that is both vibrant and detailed. Koo’s work invites viewers into a world where bright colors and intricate details engage the eye, while the underlying themes challenge societal norms and values.

     

    Koo’s art cleverly merges Eastern and Western cultural symbols. In Eastern cultures, pigs are considered symbols of wealth and good fortune, while in Western culture, they often represent greed and excess. This contrast allows Koo to explore the complexities of human nature and societal values, offering a subtle critique of modern life. Her works provoke thought about materialism, cultural differences, and the dualities inherent in human behavior, making her sculptures not only visually captivating but also rich in meaning.

  • Seunghwui Koo, Amazing Pig #52-Cat Lovers, 2024
  • Hyunsook Jeong, Before and After

    Hyunsook Jeong

    Before and After

    For Hyunsook Jeong, the human fascination with light—embodied in the sun, moon, stars, and the desire for precious stones and metals—reflects a deeper need to connect with the life-giving force of light. Light, both in mythology and reality, plays a crucial role in human existence, influencing agriculture, the passage of time, and creation stories. Throughout history, humans have sought to define and understand this vital force through metaphysical practices.

     

    Jeong captures the essence of light through the use of naturally iridescent materials like mother of pearl and crystal, immortalizing its eternal quality on the canvas. The traditional significance of these materials, which are commonly found in Nageon-Chilgi lacquer ware and furniture, reinforces the artist’s intention to transcend time and history, linking light’s symbolism with its enduring presence in cultural traditions.

  • Hyunsook Jeong, Before and After

    Hyunsook Jeong

    Before and After
    Mother of pearl and acrylic on canvas
    16 7/8 x 24 1/8 in
    42.9 x 61.3 cm
  • Randall Stoltzfus, Suspended, 2024

    Randall Stoltzfus

    Suspended, 2024
    Randall Stoltzfus is an artist whose abstract paintings feature hand-painted circles to create luminous and vivid landscapes with both figurative and abstract elements. He uses oil paint and mixed media such as gold leaf and aluminum to create color and movement, manipulating contrast to express light. Stoltzfus's meticulous technique of painting hundreds of circles by hand reveals patterns that are special to the eye and immerses the viewer into a surreal visual experience.
  • Yuki Matsueda, The Cards (Gold set)

    Yuki Matsueda

    The Cards (Gold set)

    Yuki Matsueda's practice consists of making tongue in cheek works that showcase his subject's escape from two-dimensionality. His practice involves making backing prints, which he learned to do as a child in his parents print shop, and then drawing the object out of its static world through a complex process involving PET casting and shaping. In the finished product, the traditionally limited image has new life, humor, and perspective breathed into it.

  • Yuki Matsueda, The Cards (Gold set), 7 of diamonds, 2024
  • Yoo Hyun, Untitled, 2024

    Yoo Hyun

    Untitled, 2024

    As Yoo Hyun evolves his artistic practice, he has developed a new technique of spraying and dripping liquid onto untreated fabric. This method allows him to explore spatial concepts and geometric structures found in urban landscapes, such as the bold lines of buildings, the rhythmic patterns of road grids, and the delicate interplay of light and shadow on cracked asphalt. His works, infused with these urban elements, create dynamic compositions that capture the essence of contemporary city life.

     

    In addition to this innovative technique, Yoo Hyun incorporates hanji, a traditional Korean paper made from mulberry bark, into his work. Known for its strength and durability, hanji has been used for centuries in Korean art and craft. By using this material, Yoo Hyun not only enhances the intricacy of his pieces but also reaffirms his dedication to preserving and continuing the legacy of Korean cultural heritage in his contemporary artistic practice.

  • Yoo Hyun, Untitled, 2024
  • Heekyung Kim, Bloom

    Heekyung Kim

    Bloom
    Heekyung Kim is an artist who uses thousands of layers of stacked hanji paper to make relief sculptures. Her paintings frequently experiment with the harmony between abstraction and representation, drawing inspiration from nature, especially the forms and textures of flowers and waves. Because of her special method, Kim is able to create dynamic, three-dimensional surfaces that capture the motion and energy of her subjects. These surfaces are then used to create contemplative settings in her contemplation series.
    • Heekyung Kim Bloom Korean Hanji paper, pigment 48 x 48 7/8 x 3 1/2 in 122 x 124 x 9 cm
      Heekyung Kim
      Bloom
      Korean Hanji paper, pigment
      48 x 48 7/8 x 3 1/2 in
      122 x 124 x 9 cm
    • Heekyung Kim Bloom Korean Hanji paper, pigment 48 x 48 7/8 x 3 1/2 in 122 x 124 x 9 cm
      Heekyung Kim
      Bloom
      Korean Hanji paper, pigment
      48 x 48 7/8 x 3 1/2 in
      122 x 124 x 9 cm
  • Kyuhak Lee, Monument – Marilyn, 2023

    Kyuhak Lee

    Monument – Marilyn, 2023
    With a special fondness for Van Gogh, Kyuhak Lee has dedicated his career to perfecting the craft of re-creating and re-imagining famous pieces from art history. In order to do this, Lee employs a special technique known as mixed-media mosaic, in which the building blocks of his assemblages are strips of Polystyrene or Styrofoam, which are then wrapped in magazines and newspapers before being covered with a layer of hanji, a traditional handmade Korean paper. The finished piece, which is suggestive of but very different from his inspiration, is then assembled from these strips piece by piece.
  • Kyuhak Lee, Monument – Campbell’s Soup, 2023

    Kyuhak Lee

    Monument – Campbell’s Soup, 2023
    Mixed Media on Board
    28 1/4 x 21 1/4 in
    71.9 x 54.1 cm
  • Byungjin Kim, Face Drawing (Green)

    Byungjin Kim

    Face Drawing (Green)
    Byung Jin Kim's sculptures are made up of numerous steel letters, logos, or symbols that are welded together to create a compelling figure or shape. His intricate process begins with sculpting the forms in clay, plaster, or FRP plastic, followed by the meticulous welding of each steel piece. After smoothing the welded sections, he applies several layers of high-quality car paint, a process that takes time and includes heating the artwork in a kiln at 200 degrees. Kim explains that he pursues truth through the labor-intensive nature of his craft.
  • Byungjin Kim, HOPE

    Byungjin Kim

    HOPE
    Car paint on steel
    59 x 27 1/2 x 27 1/2 in
    149.9 x 69.8 x 69.8 cm
  • Byungjin Kim, HOPE (Yellow)

    Byungjin Kim

    HOPE (Yellow)
    Steel, car paint
    11 1/2 x 4 3/4 x 4 3/4 in
    29.2 x 12.1 x 12.1 cm
  • Byungjin Kim, Toy-Love (Bear)

    Byungjin Kim

    Toy-Love (Bear)
    Steel, car paint
    19 1/4 x 13 3/4 x 23 1/4 in
    48.9 x 34.9 x 59.1 cm
  • Boree Hur, Blue Leaves Abstract 2, 2023

    Boree Hur

    Blue Leaves Abstract 2, 2023

    Boree Hur is a Korean painter who explores the deep relationship between humans and the natural world, particularly through the lens of flowers. Having lived and worked on Jeju Island, Hur has developed a strong connection with the island's vibrant, resilient plant life, which she uses to reflect human experience. Her work seeks to capture the healing and relatable qualities of flowers, with her canvases often bursting with energy and color.

     

    Hur’s focus on healing is influenced by the Korean philosophy of Pulmeong (풀멍), which promotes holistic living through coexistence with plants in both outdoor and domestic spaces. The explosive nature of her floral works speaks to the shared vulnerability between flowers and humans, conveying the fragility and strength inherent in both. Through her art, Hur highlights the emotional resonance of nature and its ability to nurture and heal.

    • Captivating blossoms in vibrant painting by Boree Hur
      Boree Hur
      Yellow Abstract 2
      Oil on canvas
      39 x 39 in
      100 x 100 cm
    • Vibrant floral painting by Boree Hur
      Boree Hur
      Rose and Jean
      Oil on canvas
      57 x 44 in
      145 x 112 cm
  • Please contact us at associate@blankspaceart.com for any questions regarding our exhibitions and services.