Process and Portraiture - Nemo Jantzen and Yoo Hyun

Nemo Jantzen

Neo-Pointillism

Dutch artist Nemo Jantzen creates his photomosaic portraits by collecting and placing thousands of individual images behind glass domes set in resin. To begin he chooses an image, the portrait, and then begins assembling the piece chromatically with his archival imagery. Each piece has a theme (music, pop culture, or a mood) and all the small images pertain to that theme. Collectively the individual images build the larger portrait however, because they are magnified behind glass domes, when the viewer is close to the piece each image stands out on its own. It is only when standing at a distance, or viewing the piece through a lens, that the resulting portrait is clearly visible.

By utilizing the same principles used produce images both in print media and on digital screens, Hyun deconstructs the image by separating the different optical components and laying them out for all to see. His works are at once digitally rendered and handcrafted, and their contemporary look is only made visible by the traditional brushstroke that creates the background. The finished works also investigate the history of pop art as they resemble a stencil and ink print similar to the screen prints of Warhol, while Hyun's stylized, optical portraits also bring to mind Lichtenstein's reimagining of halftone printing through handmade means. What results are works that transcend the dichotomies often prescribed to art making such as, digital vs. analogue, traditional vs. contemporary, Eastern vs. Western aesthetics, and search for a way to synthesize and expand them instead.